We went down to the Northwest Folklife Festival at Seattle Center, an annual four-day event with hundreds of music and dance performances and workshops. We hung out for part of the time with Barry and Tirtza, who come up from San Francisco for the festival every year (Tirtza is a dedicated folk dancer).
David & I ended up spending all Saturday and Sunday at the festival. We saw the Raging Grannies, a chorus of senior women who write their own political song parodies (one of their better ones was a song about Bush and Cheney, "Unimpeachable," to the tune of Nat King Cole's "Unforgettable"). Here's a video of them singing another one of their parodies, an antiwar song to the tune of "One Little, Two Little, Three Little Indians."
Late on Saturday afternoon we took in the first two acts of the "Folk Punk Attack" program. Blackbird Raum billed itself as a "vitriolic punk jug band," with accordion, banjo, and raspy, howling vocals. They were pretty cool, actually; we bought the CD. Next was Chervona, a "gypsy folk jazz punk" band from Portland whose members mostly come from Russia and the Ukraine. ("Chervona" means "red and beautiful" in Ukrainian.) They were a blast; we bought their CD too. Here's a video of Chervona.
At one point during the Blackbird Raum set, a young guy came running past us through the crowd saying, "Someone's shooting a gun over there!" We didn't know if that was true or not, but, concerned about the possibility of a stampede, we got up and moved away, until it looked like things had calmed down. It turned out that there had in fact been a shooting, possibly unintentional, during a fight one lawn over from where we were. A single bullet was fired and hit a couple of bystanders, but fortunately the shooter was arrested and no one was seriously injured. It was the first such incident in the 37 years of the festival.
Other stuff on Saturday: an Irish folk dancing workshop where David got partnered up for a reel with one of the most accomplished dancers in the room, a redheaded young woman wearing bona fide dancing shoes whom David referred to as "Colleen McIrish." David managed to hold his own during a vigorous dance involving much skipping and sweating, though afterward he exclaimed (between gasps), "Colleen McIrish tried to kill me!" Later we saw a very good local acoustic guitar trio called Lost Pedro, and ended the night in one of the beer gardens, watching the last couple of acts in the "Loonie Tunes" Canadian showcase.
Sunday's highlights included performances of Hawaiian music and dance by a number of local groups, an eight-man a capella group singing folk songs from the Balkans, the Liar's Contest (a tall tale competition), a huge room filled with festivalgoers participating in contra dances, and a showcase of local Brazilian drum and dance groups.
And that’s just a partial list of the stuff we saw and did; you have to understand that for every performance or workshop we went to, there were two dozen other workshops and performances going on simultaneously in different venues around Seattle Center. And it wasn't just Saturday and Sunday, when we went, but Friday and Monday as well. And admission to all this is free, though a ten-dollar donation per person per day is requested. Pretty incredible, when you think about it. No wonder we needed to sleep in on Monday.